Writing is my life. Life is my hobby. ~Emma Lai http://www.emmalaiwrites.com

Tuesday, May 31, 2011

The Irresistibly Sweet Blog Award

The rules of this award are:

1) You link the person who sent it to you


Thank you Sarah Grimm!

2) List seven random facts about yourself


a) I'm studying for my GRE because I want to be a crazy, college professor.
b) My favorite Backyardigans episode is "Soccer Monster."
c) My son is 20 months old and still nurses.
d) I drive a Honda Fit and love it.
e) When I was eight, I put crushed peppers on a peanut butter sandwich because I thought it was strawberry jam--still can't eat spicy, hot food.
f) I love helping other people.
g) I always wanted to be a gymnast.

3) Pass the award on to 10 other awesome blog buddies



4) Contact them and let them know

Friday, May 27, 2011

A.J. Nuest, author of Jezebel's Wish, on Secondary Characters

Jezebel’s Wish Blurb:
Haunted by nightmares, tormented by guilt, Jezebel came to Redemption Ranch to escape the past—except now she's stuck in the middle of nowhere with no redemption in sight. When her mother pushes her into riding lessons with local veterinarian Matthias Saunders, Jezebel balks. Sure, the doctor is gorgeous, but he’s completely obnoxious and knows how to push every one of her buttons.

Only her deep connection with The Reverend, a gentle stallion who guards her darkest secrets, has her agreeing to spend any more time with Dr. Saunders. Caring for the stallion is the first bright spot in her life in months, and if being around the horse means she has to deal with Matthias Saunders, then so be it. Surely a city girl like her can handle one country vet—even one with disturbing blue eyes. Can't she?


Don't forget to leave a comment below for a chance to win an electronic copy of Jezebel's Wish!

Who are the secondary characters?
The secondary characters in Jezebel’s Wish are predominately Jezzy’s older sister, Delilah, and their mother, Bernice. The story begins with Jezzy returning to her hometown in Northern Wisconsin, and because Jezzy is a staying at her mother’s horse ranch, she spends most of her time with these two characters.

Jeffrey, Jezebel’s recently deceased fiancĂ©, is also strong secondary character, although his appearances happen in the form of Jezzy’s dreams.

What do you like/hate most about your secondary characters?
Both Delilah and Bernice are based on my real-life sister and Mom, so I love both these characters dearly. Bernice is a strong woman who runs a self-sustaining horse ranch. She knows what she wants and doesn’t take any guff. But she’s also very concerned about Jezzy, and despite the distance Jezzy creates between them, Bernice loves her daughter unconditionally. In many respects, Delilah embodies the heart of Jezebel’s Wish. She offers Jezzy a shoulder to cry on, doesn’t judge, and is the one constant friend Jezzy has always been able to rely on. Del is truly Jezzy’s closest ally, even if Jezzy doesn’t want to hear one more word about the handsome vet.

Jeffrey is a combination of all those negative traits I experienced in past relationships, with a bonus streak of evil added in for emotional impact. I hate this man, and I hope you will too. He’s a true manipulator in every sense of the word. Blech.

What do the secondary characters think about the hero and heroine?
Delilah adores Matty (who wouldn’t), with his sparkling blue eyes and dimpled cheeks, so she wants nothing more than to see Jezzy and the country vet start a relationship. Although Jezzy professes to despise him, Del can pretty much see through her sister’s thin veneer, so she does what she can to gently coax Jezzy in the right direction.

Bernice would also like to see Jezzy move closer to Matty, but for different reasons than Del. Bernice and Matthias have been friends for a long time, and she knows he’s got a special way with wounded creatures. Hoping he’ll be able to break through the defenses Jezzy so aptly built, Bernice asks him to give Jezzy riding lessons. Although she’s first surprised by their love affair, she adjusts quickly enough, especially once…oh wait, I better save that for the story.

Would you like to share a favorite scene involving the secondary character? 
This scene is a rated R for language, but I adore this moment between Jezzy and Del. It so clearly defines their relationship. Hope you enjoy.

Jezzy spun on her toe and stormed for the door to the house. He could bite her. The lot of them could bite her. The man had no idea what she’d been through. And to tease her in front of everyone, it was all she could do not to rip him a new one right there on the spot.
“I’ll go.” Del’s voice floated down the corridor. She caught up with Jezzy near the door and followed her into the living room. “Are you okay?”
“That seems to be the question everyone is asking, isn’t it?” Jezzy shrugged off her coat and
tossed it to the arm of the couch. A wave of dry heat enveloped her. “Sweet Christ, it’s a goddamn brick
oven in here!”
She went to the thermostat and cranked it to the left. The gas flames in the faux fireplace sputtered to flickering blue.
Del placed a hand on Jezzy’s arm, her blue eyes filled with sorrow and concern.
“I never should have come here.” Jezzy turned away, rubbing the throb in her temples.
“Yes, you should have,” Del said. “This is where you belong, Jez.”
“How can you know that, Del?” Jezzy jabbed a finger toward the floor. “How can you possibly know that this is where I belong?”
“I just do, that’s all.” Del shrugged. “And you should too.”
Jezzy threw herself into the couch with such force she bounced. She didn’t want to have this discussion. She was tired of watching everything she said, exhausted from the constant sidestepping. And evading a bunch of questions would only make her headache worse.
“Besides,” Del said, sitting beside her. “Where else would you have gone?”
“I don’t know.” Jezzy dropped her head into her hands, splayed fingers tangling through her hair. “Anywhere, I guess.”
“And be all alone and miserable?”
“I’m going to be miserable no matter where I am, Del.” Jezzy lifted her head. “And there’s a level of expectation here. Like everyone’s just waiting for me to get on with it.”
“No one expects that, Jez.” Del encircled Jezzy’s shoulders, giving a squeeze. “Mom and I, we just want you to…to start to feel better.”
“And how do you suggest I do that?” Jezzy said, and then regretted her tone. Del had always been supportive, a beloved sister. They had been a team, the two of them, for as long as Jezzy could remember. Even now, at her worst, Del was there for her, trying to help. She didn’t understand she was suggesting the impossible. Something Jezzy had given up hoping for a long time ago.
“Look, I’m sorry.” Jezzy studied her hands. “I know I’m a complete bitch right now.” She shook her head. “I know I am. It’s just, I feel so incredibly lost, Del. And coming here, I’m starting to think it was a huge mistake. I know it sounds crazy, but everything is more here. I can’t get away from it.”
“Maybe you’re not supposed to get away from it.”
Jezzy stood and approached the mantel, watching the tiny flicker of blue flame. “Any hope I had for a normal life died that day on the expressway.”
Del sighed. “People start over, Jez.”
“Do they?” Tears flooded Jezzy’s eyes. “Do they really start over?”
“Yes. They really do.” Del stepped to Jezzy’s side.
“You don’t know.” Jezzy looked up, her tears making Del’s face waver. “And I can’t find the words to tell you.”
Del nodded, her blue eyes glistening as she wrapped Jezzy in her arms. “You don’t need words,
Jez. That’s why you belong here.”

Are the secondary characters going to get their own story? 
Not at this time, although I love trying to weave my hero and heroine into other stories as secondary characters. Who knows? You may one day unexpectedly run into Matty and Jezzy, maybe on vacation, stopping at the local gas station for directions. One can never tell…

Jezebel’s Wish Buy Link:

The Wild Rose Press http://tinyurl.com/446f7r3
Amazon.com http://tinyurl.com/3b89ogb

AJ Nuest lives in northwest Indiana with her loving husband and two beautiful children. She is the author of two contemporary romance novels.

Visit her on the web at:
Facebook: Tattered Pages

Wednesday, May 25, 2011

Barbara Weitz, author of Teed Up for Love

Print ISBN 1-60154-904-0 by the Wild Rose Press
PAPERBACK and E-BOOK RELEASE May 20, 2011
Book available at: Amazon.com or The Wild Rose Press

First of all, I would like to thank Emma for interviewing me today as her guest blogger. I hope you will find our conversation interesting as we explore what makes me tick as a writer.


EMMA: How are your story ideas born?
BARB: Too little sleep, too much caffeine and too much sugar. LOL Seriously, this is a mystery to me. Ideas come to me and I expand upon them, turning them into stories. I’ve no formula whatsoever other than the love of storytelling.


EMMA: How many works in progress do you have?
BARB: "Teed Up for Love" is my fifth completed book, and my first sale. It was so much fun to write, that I’d like to give one of the characters in this book his own story. However, it’s been delayed by the completion of my sixth book, which is now in the submission process. There are also at least ten story ideas in my WIP folder (Work in Progress). Ah, so many stories and so little time! <grin>


EMMA: What is your writing process?
BARB: First and foremost, I order myself to the computer chair and vow to do something other than surf the web, email, Facebook and read blogs! Oops! Love you Emma xoxo. These can be terrible distractions and good avoidance tools. As is the kitchen, which is much too close to my work area. However, once a character walks onto the page (and I like him or her), we’re off to the races. Its here I become the fiendish mad scientist who plots out their fates with a keyboard instead of test tubes and chemicals. Although, one must admit, the right chemistry must exist. Miranda and Keegan definitely have this ingredient. They are polar opposites and evolved into a delightful duo I loved hanging out with. This became a somewhat zany story, which is one of the reasons I LOVE writing romantic comedy. This genre gives me leeway to get a tad offbeat and somewhat crazy. I only hope readers laugh at my characters antics like I do!


EMMA: What writing mechanic challenges you?
BARB: Ah, my nemesis, Achilles heel, Dementors of Story. Well, that would be (1) Keeping the main focus of the story on the relationship between the hero and heroine. The storyteller in my mind sees all the people around them and sometimes gets too involved in telling their story. I do use them to color the pages with interesting characters so they will never go away completely. In fact, “Teed Up for Love” has several such characters. (2) Accepting the fact I'm a pantster (someone who writes by the seat of her pants). Detailed plots prior to sitting down to write the story leaves me with a great plot sheet but a blinking cursor and blank page. So I’ve accepted my writing style, but I do recognize the need to plot once the story evolves and I’ve a vision. As time goes on, I'm learning how to blend the two writing methods.


EMMA: What’s your favorite part of the writing process?
BARB: Hands down, the first draft. This is where I let it rip.



EMMA: What’s your least favorite part of the writing process?
BARB: Hands down, research. How nice it would be to have a research assistant in my back pocket to find out all those time-consuming details that must be verified.


EMMA: How long did it take to write your latest release?
BARB: Six months. This is average for me. The first draft comes quick. Within a few weeks. There might be holes in the draft but the story evolves very fast. THEN comes the hard work—editing. This is a necessary evil and one I’ve learned to enjoy. My waistline suffers at this stage of writing. The desire to nibble at the computer is really strong. This must be why Miranda in “Teed Up for Love” also loves to eat what's all wrong for her waistline.


EMMA: Do you have a favorite line or scene from your story?
BARB: Just one? LOL.
Favorite Scene: Let's see, one of my favorite scenes is Miranda and Keegan's first kiss. It's hot and comes after a lot of frustration and hurdles.

As you've guessed by now, I have a quirky mind and write to amuse myself; and hopefully, you, my readers. It would please me beyond measure if my books can bring a smile to your face and lift you from the cares of the day for a short spell. With a hot hero, of course! Happy reading...Barb xo

ABOUT THE AUTHOR: Barbara Weitz writes contemporary romantic comedy with heart and sizzle. She lives in a quiet suburb of Chicago with her husband and a mischievous German shepherd, thankful her three grown sons are off making mayhem elsewhere. A career executive secretary, she’s also held a variety of mundane and unusual employment opportunities. This, coupled with a passion for animals, music and poetry, has helped shape the fictional characters she brings to life.
Visit her on the web: http://barbaraweitz.com OR Email: barbaraweitz @ ymail.com

EXCERPT (Miranda arrives at her boss Bill's apartment to take care of his dog and finds a surprise.)
I pointed the umbrella at the stranger.
“Listen here, whoever you are.”
“Bill’s brother.”
I scorched him with my best Nordic glare. “This is my weekend to dog sit. You have to leave.” I swept the umbrella in a banishing motion.
“Don’t think so.” The dark-haired devil closed the laptop and set it aside.
Uh-oh. Blood thundered in my ears.
Slowly, for effect, I’m sure, he removed his bare feet from the coffee table and ran his palms over his thighs to unfold his tall frame and stand before me all lean muscle and confidence. Testosterone poured off him.
Nothing rational was going through my mind except the sudden realization that I’d seen men like this my whole life in Alaska. Men I’d always been able to put in their place. Only this man did something to my insides.
He took a step forward.
Whack! The umbrella hit him hard in the left bicep. He grabbed at it with reflexes so fast we were caught in a momentary tug-of-war, until he wrestled it away and tossed it aside. “Now look here, miss. This is a company-owned apartment, and I own the damned company that owns the—”
“What’s all the commotion?” groused a rough male voice. I locked eyes with Nigel Stuart, our company president. What was he doing here?
Realization cloaked me like a death pall. I had struck Keegan Stuart. Nigel’s brother.
I spun around and headed for the door. Miranda, you are so fired.

Tuesday, May 24, 2011

Tuesday News

I'm waiting with bated breath for the contract on my yet-to-be-titled Cowboy Kink submission to The Wild Rose Press. Yippee!

I still have one submission out I'm waiting to hear back out. And, I can't seem to commit to any one w.i.p. Rather I'm working on a few, a thousand words here, a few hundred words there. Eventually, I'll get something finished.

I've been reading some excellent w.i.p.s from my critique partners and am happy to announce two of the stories by the talented and multi-published Cate Masters are now available on Amazon along with a re-release of her contemporary romance, Going with Gravity, which I reviewed here.

San Francisco Dreams is set around and during the horrific earthquake of 1906. Norah, the heroine, is strong and determined to become a successful businesswoman at a time when women weren't even seen as the equals of men. Gerard, the hero, is a lovable, free-spirited Irishman, who knows life is precious and meant to be enjoyed. The two of them meet and sparks fly, for more than one reason. Stop by on June 14th to read what Cate has to say about the time period and story.

Just the Right Amount of Wrong is a contemporary, interracial romance. Sara and Ravelo had big dreams to help the farmers of their little time, but family pressure and financial circumstances tugged them in opposite directions. Now, when Sara is set to realize their dream, Rav reappears, working on the side of an exploitative corporation.

Friday, May 13, 2011

Linda Morris introducing Conrad, a secondary character, from Montana Belle

Hi, Emma. Thanks for the opportunity to hang out and discuss secondary characters. They can be the most fun to write, in my opinion. My favorite secondary character in one of my published books has been Conrad Springer, who is the father of the heroine in Montana Belle. Conrad is a hard-driving rancher in Montana, circa 1882, who loses his wife when his two children are still young. He pours all of his grief into running his ranch and grooming his son to take over the ranch one day. He doesn't really know what to do with his young, motherless daughter, Augusta. When she runs wild, he decides to send her back east to school. At the beginning of the story, his only son and heir has died, so he decides to bring Augusta back to the ranch and make her marry a local rancher's son she's known since childhood: our hero, Joshua Bradley. Augusta takes exception to him interfering in her life when he didn't care about her while her brother was alive. Her opposition to being manipulated by her father leads her to distrust the marriage he's trying to arrange to her childhood friend.

What do you like/hate most about your secondary characters?
I tried very hard to make him a dimensional character, not just a mean dad. I think I succeeded pretty well. He is a failure as a father, but as Augusta learns, his heart is in the right place. He is consumed with guilt for bringing Augusta's mother to the frontier and feels partly responsible for her death. His grief and guilt over his role there lead him to neglect his daughter. She thinks she he only cares about the ranch, but it's not that simple, as we learn.

What do the secondary characters think about the hero and heroine?
Conrad loves his daughter, but he doesn't know how to handle her. He's been used to dominating everything and everyone around him, and when his daughter returns from school after a many-year absence, she's not about to knuckle under. As for the hero, Joshua, Conrad looks up to him as a vanguard of the new generation. Conrad is an old-time rancher, but by 1882, much of the open plain was being fenced in. The era of the great cattle drives was coming to an end. Conrad realizes that he is something of a dinosaur, whereas Joshua, a successful businessman, represents the future. He's trying to secure his daughter's future by wedding her to Joshua.

Would you like to share a favorite scene involving the secondary character?
Sure. Here are the opening paragraphs to Montana Belle:

“I won’t be forced to marry,” Augusta Springer said, her voice steady. “Not by you or anyone else.” A flush crept over her father’s face, rising slowly from his thick neck. Conrad Springer did not like to be refused. He hadn’t become one of the wealthiest cattle barons in western Montana by being weak. Augusta, now his only living relative, knew that better than anyone.

“You will marry.” Conrad spoke more quietly than she would have expected, given his surly expression. “You’re long past the age. Twenty-two years old.” “Twenty-three, Father, last February.” Her own father didn’t know her age, but it hurt only a little.

He had never paid her much attention, except to scold and lecture when she displeased him. Her father’s mistake obviously didn’t concern him. “In that case, your wedding is longer overdue than I thought.” Conrad waved his cigar dismissively.

Augusta tried not to let her shoulders slump in disappointment. Her father would seize on any sign of weakness in an argument. If only Mother were still alive! Tears burned at the back of her eyes, and Augusta pushed the thought away. She couldn’t let her father see her break down.

Are the secondary characters going to get their own story?
No, he's a bit past his prime for that, I suppose. But I do like the setting of Montana Belle, and I've toyed with the idea of a sequel. Maybe the hero has a long-lost brother? Hmmm, now you've got me thinking. . . 

Monday, May 9, 2011

Anne Whitfield, author of The House of Women

How are your story ideas born?
My story ideas are born from all sorts of sources. Usually when I’m doing something mundane, like ironing or washing the floor, etc, and ideas will come into my head then. Sometimes they might come from researching. I might be flipping through my research books and I’ll see something interesting that leads to ideas for a story.

How many works in progress do you have?
At the moment I’m just starting a new historical women’s novel set in Victorian Yorkshire again. It’s my favourite time and place. I feel comfortable writing it. This will be book number 14. I recently finished the first draft of another story.

What is your writing process?
I simply open a blank page and allow the story idea to flow. I like to write when it is quiet, the house is peaceful and everyone is out.

What writing mechanic challenges you?
Probably grammar. I suck at it!

What’s your favorite part of the writing process?
The beginning. I love writing the first three chapters, weaving everyone in and getting to know them.

What’s your least favorite part of the writing process?
The least part I like is editing when the book is finished and I have ideas for a new story that are begging to get out. Once a book is written Im eager to start something new, but I know editing is important!

How long did it take to write your latest release?
My novels, especially my historical novels usually take about 6 months to write. Sometimes it depends on what is happening in my life at the time. I try to make 6 months as my goal. But it doesn’t always happen.

Do you have a favorite line or scene from your story?
From The House of Women there are many scenes which really grab me, but I think the ending is one of the best, where Grace finally accepts what is best for her and acts on it.

The House of Women
Historical women’s fiction/romance
Blurb:

In The House of Women, Grace is the eldest of seven sisters, is the pivot upon which the family revolves. She is the buffer between her violent father and her sisters, who look to her for guidance. As Grace tries to hold them together through times of hardship and humiliation, her own secret love, William Ross rejects her. Thankfully another man, Doyle gives Grace the calm support she has been missing. Only, their subtle attraction creates more disturbance. When shocking events occur, Grace makes decisions that will affect everyone’s future, which sets sister against sister, mother against daughter. As her life crashes into chaos with scandal, near bankruptcy and murder, a coalmine disaster brings Grace into contact with an introverted miner. His cool reserve makes Grace take notice.  This man is dismissive of her station and evokes an image of a life much simpler


Amazon USA


Thanks so much for having me!

Friday, May 6, 2011

Sue Fineman, Author of The Mitchell Money

If you want to stir things up in a book and see how your characters react, throw in kids or animals.  Or both.

In THE MITCHELL MONEY, Rachel’s little dog begs at Gary’s side when he’s eating dinner, so Gary slips him little bites when he thinks no one is looking.  But Rachel notices and wonders if the man is more compassionate than the surly guy who ran into her car and bashed in her fender, then blamed her for backing out in front of him.  Who is the real Gary Martinson? 

The little poodle obviously sees something in Gary that Rachel doesn’t, because as soon as Gary settles in his recliner after dinner, Bouncer jumps on his lap and licks his face.  She knows the dog doesn’t act like that around everyone.  Bouncer curls up on Gary’s lap and promptly goes to sleep, trusting him completely.  Why can’t Rachel trust Gary as well?

Kids can take on a bigger role, as in the following excerpt from THE MITCHELL MONEY.  A police officer had just brought a scruffy, skinny boy to Rachel’s door, a kid who looks just like her dead husband.

Excerpt from THE MITCHELL MONEY:

It took Johnny days to hitchhike to Maystown, days of standing beside the road in the pouring rain, praying someone would pick him up before the cops came along. He rode in the back of an old pickup one day, and another day he rode with a sleazeball trucker who kept touching him and talking about getting them a motel room. When the trucker stopped at a fast food restaurant, Johnny gobbled his hamburger, then excused himself to go to the restroom and ran out the back door. It took him hours to find another ride.
When he arrived in Maystown, some woman gave him a strange look, like she knew he didn’t belong here. He should be used to those looks by now, but it still made him feel bad. Did she think he liked being dirty and hungry? He’d gladly work for food and a place to sleep and shower, but nobody would hire a dirty street kid.
Standing on the street, Johnny looked around for a pay phone. A phone book might give Rachel Woods’ address, and phone books usually had maps in them. He’d find her. But what if she wouldn’t help him? He couldn’t make it much longer on his own. His head spun and his stomach hurt from hunger, and he felt cold all the time. And scared. If he didn’t find help soon, he wouldn’t need money. He’d be dead like Mom and Mitch.
The woman pointed at him and a cop walked over. Johnny froze, afraid this cop would lock him up before he found Rachel Woods.
“Looking for someone?” the cop asked.
“Uh, yeah. I’m looking for my Aunt Rachel. She lives around here somewhere.”
“What’s her last name?”
“Woods.”
“Rachel Woods? She lives out in the hills,” said the cop. “Need a ride?”
“If you’re going that way, sure. Thanks.”
The woman who’d pointed at him had a smug, superior look on her face. She obviously didn’t want a skuzzy street kid in her town. Nobody wanted him around these days. Not that he could blame them. He hadn’t had a shower in weeks, and his clothes were filthy.
Johnny didn’t especially want a cop around when he met Rachel Woods, but it looked like he didn’t have a choice. He doubted this guy would drop him off and leave.
The cop drove up into the hills and pulled up in front of a house that looked like it was still under construction. Johnny followed him back to a little motor home out back, beyond the construction site. A dark-haired woman opened the door, a woman he assumed was Rachel Woods. Johnny could barely breathe. What if this was a dead end? What if she told this cop to take him away? He could end up in a group home or foster home, and Mitch said kids got beaten and raped in those places.
“Mrs. Woods, do you know this boy?” the officer asked.
The woman stared at Johnny and seemed unable to speak. He begged with his eyes. Please don’t send me away. Johnny swallowed hard and tried to bluff his way through. “Hey, this is my Aunt Rachel. She hasn’t seen me in a while, but I recognize her.”
“Is that right, Mrs. Woods?” asked the cop.
She took a deep breath and, still staring at Johnny, said, “Close enough, officer. I’ll take him. Thanks for bringing him out.”
As the officer walked away, Johnny stood frozen to the spot, unsure what to expect from this obviously surprised woman. She didn’t know about him or she wouldn’t look so shocked. He knew how she felt. He’d been shocked when he read his father’s obituary.
She scanned his skinny body and dirty clothes and the shock on her face turned to pity. “Come on inside. Are you hungry?”
Thank you, God. “I could eat.” He sure could eat. He hadn’t had anything since the hamburger that sleazeball trucker bought him two days ago.
“I don’t have much food here, but you’re welcome to what I have.” She dug in the refrigerator and put eggs on the counter. “Is French toast all right?”
“Sounds great.”
The boy dropped his backpack on the sofa and sank into a chair at the table.  Poor kid looked like he was starving.  A million questions swirled in Rachel’s head as she cooked, but feeding him had to come first.  He looked like he could barely stand up.
Rachel poured him a glass of milk.  “When did you last eat?”
“Couple days ago.”  He drained his glass.  She poured him another glass, emptying the carton, and put a plate piled high with French toast in front of him.  The boy hadn’t had a bath in a good long while.  His clothes were tattered and filthy, and he smelled bad.  Did he run away from home?  This kid’s mother must be worried sick about him. 
As soon as the boy finished eating, she asked, “What’s your name?”
“John Woodrow Mitchell, Jr., but most people call me Johnny.  I’m sorry about the Aunt Rachel business.  It was all I could think of.”
“That’s all right, Johnny.” 
He pulled a newspaper clipping from his backpack and handed it to her.  He pointed to the picture above the obituary.  “That’s my father, John Woodrow Mitchell.”
Rachel took a deep breath and let it out slowly.  So Mitch not only had a son, he had another name.  Why did he hide his name from her?  Why didn’t he tell her about Johnny? 
“That’s a picture of my husband, Mitchell Woods.  He died a few weeks ago.  Apparently he was hiding things from both of us.”  Mitch knew he had a heart problem, but he’d never shared that information with her.  Like with the missing money and the scruffy kid, she didn’t know until after Mitch died. 
Johnny dropped his head and she realized he’d been hoping it was a mistake, that his father was still alive.  “I didn’t know about you, Johnny,” she said gently.
“Yeah, I didn’t know about you either.”  His voice sounded soft and uncertain. 
“Where do you live?”
“Nowhere now.  My mother died last year and Mitch was sending me money to live on, but—”
The reality of this kid’s situation slammed into her like a bus speeding down the highway.  This kid wasn’t a runaway.  Mitch left him alone, abandoned like a stray dog. 
Still in shock, Rachel gently asked, “How old are you, Johnny?” 
“Fourteen.  I was getting by until Mitch stopped sending me money.”
Was this why Mitch hid the money?  So she wouldn’t know about his son? 
The kid looked beaten down, exhausted and starving, and Rachel’s chest filled with rage.  From the look of the clothes hanging on this boy, he’d gone hungry for a long time, and Mitch hadn’t been dead that long.  However much money Mitch sent this kid, it wasn’t enough to support him. 
How could anyone leave a kid alone at this age, especially one who’d just lost his mother?  Johnny needed more than food and a bed to sleep in.  He needed someone to love him. 
I hope you rot in hell for this, Mitch. 

Sue Fineman is a grumpy old lady who lives with an even grumpier old man in a small town in Washington State.  She writes women’s fiction, light paranormal romance, and romantic suspense novels.  Most of her books have a little humor sprinkled in.  

The Mitchell Money is available in both print and ebook formats at Amazon and BN, or check at The Wild Rose Press website to find this book and others you’ll enjoy reading.